AIFEST has successfully promoted the cause of English Research and Studies in India since 1994. Around 4800 new members joined AIFEST in the year that passed by (as of 31 July 2023) swelling the number of life-time members in AIFEST to 27300.
Tuesday, 15 February 2022
Registration at the UGC Academic Job Portal
Thursday, 10 February 2022
Paper Presentation Schedule
AIFEST International Conference
Mapping the Shifting Paradigms of Post-modern Society
11-13 February 2022
Instructions for Paper Presenters
1. Please make sure that you find your slot and room in advance, and be there in time. If you are absent during the session, we may not be able to give you another chance as the schedule is tightly packed.
2. Each paper presenter can take 10-12 minutes to complete the presentation. No extra time will be provided. After each presentation there will be a brief interaction and feedback (3 minutes).
3. During the presentation, the presenter is expected to turn the video on.
4. Powerpoint presentation is not compulsory. However, if you are making a ppt presentation, make sure everything is in order well in advance.
5. Merely reading out the paper is strongly discouraged. Please make sure that you are well-versed with your paper.
6. Introduce yourself at the beginning of the presentation.
Paper Presentation Schedule for 12th February 2022
Paper Presentation Session 1
Day 2 | 12 February 2022 | Saturday | 12.30 pm to 2.00 pm
Room 1: Slaughterhouse-Five
1. Ayushi Dwivedi, Christ University Bangalore: Exploring the Ecofeminist Perspective in Atwood’s Surfacing
2. Priyanka Dutta, PhD Research Scholar, EFLU Lucknow Campus: Discourse and Ideology in Select Plays of Manjula Padmanabhan
3. Malvika Avasthi, PhD Scholar: Taxi Driver: A Post-Modernist Study
4. Radha Singh, PhD Scholar, Department of English, BRA Bihar University (Muzaffarpur): Exploring Modern Socio-Cultural Phenomena in the Works of Chaman Nahal
5. Parul Soni, Junior Research Fellow, Department of English, Kurukshetra University: Aboriginal Identity Matters: A Study of N Scott Momaday’s House Made of Dawn and Leslie Marmon Silko’s Ceremony
6. Sakshi Bansal, Research Scholar, Amity University UP & Vineeta Prasad, Head of Institute, Amity University UP: It’s on Me! The Viewer of Black Mirror: Bandersnatch
Room 2: Palace of Illusions
1. Haimanti Bagchi, Freelance Communication Trainer: A Post-Modern Study of the Folk Culture of Bengal- the Baul Tradition
2. Padmaja Mishra, Post-Graduation Scholar: The Kite Runner: Pyschoanalysis in the Pretext of Post Modernity
3. Sonal Agrawal, Phd Research Scholar, Barkatullah University Bhopal: The Theme of Marginalization and Crisis of Woman Survival in Keneally’s Blood Red, Sister Rose
4. A Bindu Sri Geeta Madhuri Devi, PG Student, AP: Ecofeminism in 3 Tollywood movies: Padaharella vayasu, Osey! Ramulamma and 36 Vayasulo
5. Neha Raghuvanshi, Research Scholar, Barkatullah University, Bhopal: Individual Identity Crisis in Michael Ondaatje’s The English Patient
6. Manju Kumari, Research Scholar, Department of English, Arunachal University of Studies: Code-Switching of Assamese Culture and Language
Day 2 | 12 February 2022 | Saturday | 3.30 pm to 5.00 pm
Room 1: Slaughterhouse-Five
1. Sanjukta Dutta, Student, WB: Understanding ‘Post Modern Feminism’ in the Literary Compositions of Female Writers in India
2. Raja M, M. Phil English, Jawaharlal Nehru University: A Critical Study of Torture in Chandrakumar’s Lock-Up and Vertrimaaran’s Visaranai
3. Dr Sapna Dogra, Assistant Professor, Government College Baroh, Kangra, HPU: Graphic Narratives and Social Activism: A Study of Select Narratives from Drawing the Line: Indian Women Fight Back
4. Dr Navreet Sahi, Associate Professor of English, Shoolini University, Solan, HP: Storytelling, Perspective and Point of View: An Analysis of Pete Travis’s Film Vantage Point
5. Simran Tripathi, Research Scholar, Department of English, IIS University, Jaipur: From ‘Pan-determinism’ to ‘Free Will’: Dasein’s Journey in Paul Auster’s Mr Vertigo
6. Samikshya Pattnaik, Ph.D Scholar, Sambalpur University: Changing Paradigms in Use of Literary Devices: A Postmodernist Reading of Don Delillo’s Falling Man
Room 2: Palace of Illusions
1. Christy Gnana Deepa J, MA English, Fatima College Madurai: Existentialism and Absurdism in Samuel Beckett’s Waiting for Godot
2. Raja Meena N, Research Scholar, VIT University Chennai: Winning Charisma: Conglomerate Analyses of Wake up, Life is Calling and This is not your Story
3. Tania Shri, Research Scholar, Department of English, Central University of Jammu: Development, Deforestation, Deterioration and Displacement: Postcolonial Ecofeminism in Mahasweta Devi’s short stories “ The Hunt” and “Douloti the Bountiful”
4. Sakshi Kaushik, Assistant Professor, Chitkara School of Mass Communication, Chitkara University, PB: From Adulteress to Able: A Post-Modernist Study of Nathaniel Hawthorne’s The Scarlet Letter
5. Venisha D, Research Scholar, VIT University,Vellore: Ethnic Conflict and Identity Crisis in Michael Ondaatje’s Anil’s Ghost
6. Vellachi V, UG Student: Post Modern Feminism in Anita Desai’s Novels
Paper Presentation Session 3
Day 2 | 12 February 2022 | Saturday | 5.30 pm to 7.00 pm
Room 1: Slaughterhouse-Five
1. Rituparna Mukherjee, Faculty, Jogamaya Devi College, Kolkata: Problematizing Gendered Automobility in Postcolonial Lagos in Chimamanda Ngozi Adichie’s “Birdsong”
2. Dr Mali Mitra: The Crisis of New Modernity: The Context of Digital Music
3. Vidhi Ravrani: Resurgence of Mythology in Indian writing in English: Analysing Latest Trends of Contemporary Popular Culture
4. Momin Taibahfatma Altafhusain, PhD Scholar: Nissim Ezekiel’s Post Modern Poetry and Feminism
5. Safhana Kareem, MA English, St Paul’s College, Kalamassery, Kerala: Postmodern Feminism: Feminism of the Postmodern
6. Kamaljot Kour, Research Scholar, Department of English, Central University of Jammu & Dr Vandana Sharma, Associate Professor of English, Central University of Jammu: Shifting Paradigms of Ecofeminism in Select Writings of Anuradha Roy
Room 2: Palace of Illusions
1. Dhritimoni Mahanta (M.A. Cotton University) & Tanmoya Barman (M.A. Tezpur University): Tracing the Criterion of Post-Modern Tenacity in The Shadow Lines by Amitav Ghosh
2. Kirtikumar D Ramanuj, Research Scholar, Department of English and CLS, Saurashtra University, Rajkot: An Existential Reading of Dangling Man by Saul Bellow
3. Aditya Raj, Research scholar, Patna University & Dr Stuti Prasad: A Postmodernist Study of Kim Stanley Robinson’s Green Mars
4. Shreya Bhardwaj, PhD Research Scholar, Sharda University & Dr Mukuta Borah, Assistant Professor, Sharda University: Women amid Partition: A Critique of Psychological Turmoil in Where Did I Leave My Purdah?
5. Esny Elias, Postgraduate Student, Union Christian College, Aluva: Breaking the Fourth Wall of Fiction: A Therapeutic Narration of Emma Donoghue’s The Pull of the Stars
6. Dr Mridusmita Mahanta, Associate Professor, Dept of English, Sonapur College: A Post-Modern Approach to the Communicative Aspect of Mythology: A Study into the Myths of the Brahmaputra
Paper Presentation Session 4
Day 3 | 13 February 2022 | Sunday | 08.00
am to 9.45 am
Room 1: Slaughterhouse-Five
1. Dr
Sanghamitra De, Assistant Professor, Department of English, Arya Vidyapeeth
College, Guwahati: The Body at Risk: Poetics of Gender and Corporeality in
Select Postmodern Texts
2. Diana
Monisha R, PhD Research Scholar, Auxilium College, Vellore: Feminist
Phenomenology in Elif Shafak’s 10 Minutes
38 Seconds in this Strange World
3.
Ms Jithya Merin Paul, Research Scholar, VIT: Post Modern Analysis on Brechts’ The Unworthy Old Woman: Through a
Gerontological Lens
4. Dr
Shatakshi, BRABU, Muzaffarpur & Dr Rahul Sharma, Assistant Professor,
AIESR, Amity University Patna: Exploration of Isolation, Materialism, Racism
and Absurdity in The Caretaker
5. Dr.
Neelu Khosla, Associate Professor, Vivek College of Commerce, Mumbai:
Contextualizing Post Modernism and Post Nationalism: Revival in Asian
Geopolitics
6. V. R.
Raja Pravina, Assistant Professor, Department of English (SF), Thiagarajar College,
Madurai: Sita’s Ramayana: A
Postmodern Reading of the Graphic Novel
7.
Yashasvini Rathore, Research Scholar, Dept. of English, IIS Jaipur: Prisons of
Smile: Self-presentation and Expression in Nosedive
Day 3 | 13 February 2022 | Sunday | 08.00
am to 9.45 am
Room 2: Palace of Illusions
1. V.
Heymonth Kumar, I M.A. English, Bharathiar University PGE and RC, Perundurai,
Erode: Post-Modern Texts and Retelling in Atwood’s Hag-Seed
2.
Manodip Chakraborty: Asst. Prof. Dept.
of Applied Science and Humanities, GL Bajaj Group of Institutions, Mathura:
From Artificial to Natural: Understanding the Isogloss of Postmodern e-Gaming
Language
3.
Shavleen Kour, Research Scholar, Panjab University, Chandigarh: Unveiling the
Reflections of Hyperreality in Emma Donoghue’s Room (2010)
4.
Mitali Bhattacharya, Research Scholar, Guru Gobind Singh Indraprastha
University, Delhi: Understanding Postmodernism in Indian Context: A Study of
Select Plays of Mohan Rakesh, Badal Sircar and Mahesh Elkunchwar
5.
Angel Tess Cherian, Former Assistant Professor on Contract, Assumption College:
Mixing Memory with Music: Juxtaposing Haruki Murakami’s Norwegian Wood with Select Songs by The Beatles
6.
Ms K Indumathi, Assistant Professor of English: An Analysis of Magic Realism in
Gabriel Garcia Marquez’s One Hundred
Years of Solitude
7. Rajbir
Samal, Ph.D. scholar, IIT Roorkee: Edible Indians: An Alternative Reading of
Food, Gender, and Ethnicity in Gurinder Chadha and Paul Mayeda Berges’ The Mistress of Spices
Paper Presentation Session 5
Day 3 | 13 February 2022 | Sunday | 12.00
pm to 1.45 pm
Room 1: Slaughterhouse-Five
1.
Dr Rajesh Vishnu Yeole, Head, Department of English, Changu Kana Thakur
College,New Panvel & Ms. Deepti Nambiar, Research Scholar, English, Changu
Kana Thakur College, New Panvel: The Cataclysm of Identity Crisis and Sense of
Alienation in Jhumpa Lahiri’s The
Namesake
2.
Lakhibai Yumnam, Research Scholar, English and Cultural Studies Department,
Manipur University, Manipur: Intertexuality as a Narrative Device in Zadie
Smith’s On Beauty
3. Gajendra
Verma, Assistant Professor, Govt Girls College Hanumangarh: Diasporic Identity
in Tiger’s Daughter by Bharati
Mukherjee
4.
Anny Saifi, Research Scholar, Raghunath Girls’ PG College, Meerut: Depiction of Subalterns through the Time: A
Study of Select Indian English Novels
5.
Parvathi T S, Guest Lecturer, MES College, Marampally, Aluva: Post Modern
Feminist Reading in Meena Kandasamy’s Novel When
I Hit You: Or, A Portrait of the Writer as a Young Wife
6.
Gabriela Galeena, Student MA English, St Paul’s College, Kalamassery: Analysing
the Space of Violence in Bond’s Lear
7.
Preetha Mukherjee, Assistant Professor, Basic Science and Humanities, GKCEM:
Individual’s Imperative Need for Resistance: Re-thinking the Post-modern
Individual in The Birthday Party
Day 3 | 13 February 2022 | Sunday | 12.00
pm to 1.45 pm
Room 2: Palace of Illusions
1.
Shohib Bashir, Research Scholar, IIT Roorkee, Uttarakhand: Cultural Practices
in Medicine and Post Modern Sensibility: A Reading of Alice Walker’s Possessing the Secret of Joy
2.
Prasenjit Singha, Student, Dept of English, Sonapur College: Post-Modern
Feminism in Sudha Murty’s Mahasweta
3.
Jyoti Priyadarshini, PhD Scholar, IIIT Bhubaneswar: Problematising Truth in
Anees Jung’s Unveiling India and
Chitra Fernando’s Women There and Here
4.
Swagath S Senan, MPhil Scholar, Centre for English Studies, JNU, New Delhi:
Anthropocene as Grand Narrative of the Post Modern World: A Reading of
Jean-François Lyotard’s The Postmodern
Condition
5.
Maria Siby, Student, SB College Changanasserry: Women and Augmented Reality:
The Era of Social Media Influencers
6.
Ankita Choudhary, Ph.D. scholar, Department of English, IIS University, Jaipur:
Beyond Postmodernism: British “rudeboys” Transcending Marginalization Through
Language in Gautam Malkani’s Londonstani
7.
Sangeetha M, Assistant Professor of English, SDNB Vaishnav College for Women:
BoJack Horseman: Hyperreality, Hollywood and the Horse
Paper
Presentation Session 6
Day 3 | 13 February 2022 | Sunday | 4.00
pm to 5.30 pm
Room 1: Slaughterhouse-Five
1. Ms Jithya
Merin Paul, Research Scholar, VIT: Post Modern Analysis on Brechts’ The Unworthy Old Woman: Through a
Gerontological Lens
2. Shatabdi Mondal, Kazi Nazrul University, Asansol,
WB: John Fowles’s The French Lieutenant’s
Woman remodelled as a Deconstructionist of Self-image and a Postmodern
Feminist
3. Dr Abha Singh, Assistant Professor, SRMIST, Delhi
NCR Campus: Language Impact of Mythical-Superheroic Stories and Fairy Tales
upon Tender Minds of Children
4. Javairia Nousheen - Research Scholar, REVA
University & Dr. Abhisarika Prajapati, REVA University: White Wash Culture
in Enid Blyton’s Series for Children: A Study of the Representation of the
Individual Child and Socio-Cultural Aspects
5. Aarti, Phd Research Scholar, Gurukul Kangri
University, Haridwar: A Critical Evolution of Tagore’s Philosophy of Education
and its Relevance in Post Modern Era
6. Geetanjali Basumatary, PhD Scholar, Tezpur University:
The Journey From Absent Mother to Working Mother in The Autobiography of a Sex Worker
Day 3 | 13 February 2022 | Sunday | 4.00 pm to 5.30
pm
Room 2: Palace of Illusions
1.
Nisha Narwani, Assistant Professor, Ramroa Adik Institute of Technology,
Nerul Navi Mumbai: Celebration of Chaos:A Postmodernist Study of Manto's Toba
Tek Singh
2.
Alamuri Sri Nidhi, Assistant Professor of English, G. Pulla Reddy Engineering
College Kurnool: English as a Lingua Franca for the Voiceless: Marginalized
Literature
3.
Mehar Jahan Bushra, PhD Scholar, Department of English and MELL, University of
Lucknow: (Un)reliable Narrator and Postmodern Fiction: Reading Julian Barnes’ The
Sense of an Ending
4.
Mohammed Shafeer KP, PhD Research Scholar, Thiruvalluvar University, TN: Margaret
Atwood’s Theory of Victimisation and the Role of Kerala Feminism
5.
Ms Sparsh Vyas, PhD Scholar, Central University of Gujarat: The Power(ful)less
Women: A Critical Study of Contemporary Indian Drama
6.
Vijay Kumar K.V, Assistant professor of English, Government First Grade College
Bapuji Nagar, Shivamogga: Postmodernist Metanarrative of ‘Wizard of the Crow’
Paper
Presentation Session 7
Day 3 | 13 February 2022 | Sunday | 6.00
pm to 8.00 pm
Room 1: Slaughterhouse-Five
1. Dr Klinsa Kurien, Assistant Professor, Medicaps
University, Indore MP: The Quest of Existence in Post-Covid Times: A Study of
the Theme of Existence in Sigrid Nunez’s Salvation
City
2. Dr Priyanka Kulhari, Assistant Professor, ARSD
College, University of Delhi: Indian Woman and Cinema: A Shift from “Men act,
women appear”
3. Vasantha S, Assistant professor, Department of
English, Sir MV Govt Arts and Commerce College, Bhadravati: Marginalization of
Cultures and Mahasweta Devi
4. Dr. Aparna Ajith, Asst. Professor, Dept. of
English, Sree Narayana College for Women, Kollam: Actuality Versus Possibility:
A Postmodern Reading of Margaret Atwood’s Happy
Endings
5. Mariya Sheema, Faculty of English, Sarojini Naidu
Vanita Maha Vidyalaya, OU: Postmodernism and the Decayed Portrayal of Patrick
Bateman in American Psycho
6. Nikhat Fatima, Lecturer, Sarojini Naidu Vanita Maha
Vidyalaya, Hyderabad: Existence of Aliens: A Myth or a Post-Modern Reality?
7. Dr Anchal Dahiya, Assistant Professor, Gurugram
University: Post-modern Elements in the Plays of Manjula Padmanabhan: Lights Out and Harvest
8. Reshma Ann Peter, Assistant Professor of English, Don Bosco College TN: Reclaiming Space and Identity: Examining the Rohingyan Refugee Crisis through Literary Memoirs
Day 3 | 13 February 2022 | Sunday | 6.00
pm to 8.00 pm
Room 2: Palace of Illusions
1. Meghana V Goshi, Research Scholar, Jain University,
Bangalore & Dr Vinodhini Chinnaswamy, Assistant Professor, Jain University,
Bangalore: “Quest for Mizo Identity” in Malsawmi Jacob’s Novel Zorami: The Redemption Song
2. Rangnath Thakur, Research Scholar, IIT Roorkee:
(Re)visiting Gandhi’s Idea of Swaraj in Postmodern Condition
3. S Jemima, Assistant Professor, English, Bishop
Ambrose College, Coimbatore: The Concept of Replica and the Quest for
Originality in Julian Patrick Barnes’ Novel England,
England
4. Dr Pooja Joshi, Assistant Professor of English,
University of Rajasthan, Jaipur: Mapping Spatiotemporal Memory and Postmodern
Identity in The Kite Runner
5. Dr Mahi S Thavarathu, Assistant Professor, VISH,
VIT-AP University: Dub Poetry, Re-telling and Elements of Negotiations in the
Poetry of Raquel McKee
6. Showkat Ahmad Shiekh, Research scholar, Department
of English Studies Akal University, Talwandi Sabo: Exploring Postmodernism in
John Fowles’ The French Lieutenant’s
Woman
7. Dr. M. Samadhanam Emimal, Assistant Professor of
English, Don Bosco College, Yelagiri: Re-Contextualizing the Narrative: A
Postmodern Insight on Retold Fairytales
8. Jeffy Catherine R, Research Scholar, Sarah Tucker
College & Dr R Selvi, Associate Professor of English, Sarah Tucker College:
The Changing Chronicle of the Subaltern: A Postmodern Reading of Jaishree
Misra’s Ancient
If you don’t find your name in the list (provided your abstract got accepted and you paid the registration and presentation fee), please email us at aifestevents@gmail.com. No new registrations and abstract submissions will be entertained.
Thursday, 6 January 2022
International Conference on Mapping the Shifting Paradigms of Post-modern Society
Three-day Virtual International Conference
on
Mapping the Shifting Paradigms of Post-modern Society
Dates: 11-13 February 2022
Platform: YouTube & Google Meet
Concept Note
The present
day society, at a rudimentary level, is one of numerous thought processes
working in tandem. This seems to reinforce the idea that we are living in a
world which has moved away considerably from its earlier stages. If we were
happy with the modern world, we have also embraced the unconventionality and
uncertainty of the post-modern world. But human adaptability does not muzzle
the fact that modern cannot be called so unless it is postmodern. And if modern
is always ‘after something,’ then modernity is constant. Therefore, in the
present times, man struggles with the tradition of each age being in combat
with the one it succeeds. The struggles lead to further questions which make
transition interrogate itself. Thus, Postmodernism becomes the Holy Grail that
charts ‘living’ in the present world through speculations, deliberations and
negotiations.
Interpersonal
relationships and the concept of solidarity become contested keeping in view
the scattered selves in the current times. But the concept of society cannot be
dispensed with even in the face of hyper-reality, the end of history and the
endless traps of language. Hence, the conference plans to map our dialogues
with the intersections that twenty-first century society offers to individuals.
One such intersection is man's ongoing clash with the severely disruptive
COVID-19. A pandemic that makes home and non-home interchangeable echoes the
postmodern conflict and fusion of art and non-art. This conference intends to
investigate whether the (re-)construction of human society is in alignment with
historical events. Considering the fact that the ‘post-COVID’ scenario is going
to usher in alterity, it proposes to make an incursion into the so called
'grand truths' which postmodernism claims to escape from, yet finds itself
entangled in. Mapping the changing landscape of the Post-modern world is
essential as man will not be talked out of finding meaning within
meaninglessness.
When humankind
is marked by myriad disruptive tendencies, we must delineate the strands that
run through the postmodern anarchy of ideas in order to make sense of the
structural bonding that defines a society. Even as Jean Francois Lyotard
renders truth redundant with his emphasis on ‘the death of grand narratives,’
this conference aims to understand man's predicament of being the perceived and
the perceiver at the same time.
Sub-themes
The conference
invites papers on topics which are either broadly “Post-modern” or hinge on
topics aligned and branching out from the Post-modern. Some suggested areas to
explore are:
- Politics of Narration in Post-Modern Texts
- Culture and Representation
- Crisis- Individual, Cultural, Social
- Individual Identity Crisis
- Representation and Portrayal
- Questions of Marginalization
- “Post” in Post-modern
- Post-modern Text and Context
- Globalization and Post-modernism
- Fragmented texts- A Reality or a notion?
- Post-modern Feminism
- Recent Trends in Post-Modern Writings
- Myth and Post-modernism
- Negotiations in Post-modern literature
- Post-modern Texts and Retelling
- Scholarly, unpublished and well-researched articles leading to new dimensions in the field of postmodern research are invited from undergraduate & postgraduate students, research scholars, faculty members of the various departments as well as interested academicians.
- An abstract of not less than 200 words should be submitted on or before 7th February 2022. Submissions made after the deadline will not be considered.
- The abstract should be submitted as a single Microsoft Word Document, with Title of the Paper, followed by the name, designation and contact details of the author/authors. The word file should be sent to aifestevents@gmail.com as an email file attachment. After scrutiny, you will be informed about the acceptance or rejection of your abstract within 48 hours of submission.
- The full paper should be between 1500 and 3000 words. Full papers may be submitted after the conference, incorporating the suggestions and recommendations made during the paper presentation. The last date for submitting full papers for publication shall be 20th February 2022.
- MLA 8th Edition should be strictly followed.
- All selected papers will be published by Aifest in the form of conference proceedings with ISBN in collaboration with our US Publishing Partner after the conference. All contributors will be eligible for a free electronic copy of the conference proceedings (with US Electronic ISBN). Print copies may or may not be brought out depending on the demand for the same and the individual authors will have to purchase copies (if required) from the online stores.
- Each paper will be checked using Turnitin Anti-Plagiarism Software. Any paper that exceeds the permissible limit of 15 % similarity will be rejected.
- In case of
joint papers, all the participants will have to register separately as separate
certificates would be issued to respective individuals.
Fee
Structure |
|
Registration
Fee (For Everyone) |
Rs 100 |
Paper
Presenters are required to register first by paying the registration fee of
Rs 100, and only then they should submit their abstracts. Once they get
confirmation of abstract acceptance, they may proceed to pay the paper presentation
and publication fee as provided below: |
|
Students |
Rs 100 |
MPhil and
PhD Scholars |
Rs 300 |
Faculty
Members and Others |
Rs 500 |
E-certificates
will be issued to all registered participants upon successful completion of the conference.
Payment Details
Account
Holder: Abhilash Kaushik, Account Number- 33921687208, IFSC Code- SBIN0002026, Bank-
State Bank of India, Branch- Biswanath Chariali
Google Pay:
8553570913, abhilashakushik7-1@oksbi, PhonePe: 8553570913, 8553570913@ybl
Important
Dates
- Deadline for Registration: 10 February 2022
- Deadline for Abstract Submission: 07 February 2022
- Dates of the Conference: 11 – 13 February 2022
- Deadline for Full Paper Submission: 20 February 2022
- Conference Proceedings Publication: Before 15 March 2022
Programme
Co-ordinators
- Mr Abhilash Kaushik, General Secretary, AIFEST, Mob: +91-8553570913
- Ms Meher Gandhi, Public Relations Officer, AIFEST
-
Being an academic platform, memberships are offered to those genuinely interested. However, memberships cannot be availed round the...
-
Find the list of authors who have secured A Grades and are selected for publication in the poetry anthology posted below the list of Prize W...
-
Celebrating Womanhood: AIFEST International Poetry Competition 2023 The 2023 edition of AIFEST's International Poetry Competition titled...